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Author Topic: Jeste li skoro gledali dobar film?  (Read 52116 times)

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09 Mart, 2009, 14:38:15
Reply #80
  • Starac Focho
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Sinoć sam odgledao RocknRolla, jednom dobar film.
Eisai sto myalo, kati magiko.. Opou pas esy tha mai panta egw na sou tragoudw.. Thryle ole ole, thryle ole ole.!!!!!
09 Mart, 2009, 20:45:13
Reply #81
  • Starac Focho
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Ja sam sinoc odgledao Seven Pounds, sa vil smitom... jeste da ne podnosim crnju, ali film je jednom... Kakva pricha... Preporuchujem od srca...

"Don't waste time arguing what good man should do, be one, act like one!"
06 April, 2009, 23:41:42
Reply #82
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31 Maj, 2009, 11:01:19
Reply #83
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  skoro sam gledao Milioner Iz Blata, ko nije gledao preporučujem......
I na autobus piše "Lasta" pa ne leti.....
31 Maj, 2009, 15:22:33
Reply #84
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slumdog mislim da je sinonim za skitnicu iliti zivalj po getu.

Lep je film samo malo banalan.....



elem - Let iznad kukavicjeg gnezda - dzek dominira <3
02 Jun, 2009, 17:13:57
Reply #85
06 Jun, 2009, 03:37:17
Reply #86
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da, vrhunski dokumentarac.
06 Jun, 2009, 22:37:45
Reply #87
  • Starac Focho
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Da. Beogradski fantom, dokumentarac..... Interesantno i nesvakidasnje.... Pogledajte....

Inside my heart is breaking,
My make-up may be flaking,
But my smile still stays on... ;)


Mielott iteletet mandasz valakirol setal nehany kilometeret a cipovolen...
07 Jun, 2009, 12:30:25
Reply #88
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Beogradski fantom nije dokumentarac, vec akcija radjena po istinitom dogadjaju.
Eisai sto myalo, kati magiko.. Opou pas esy tha mai panta egw na sou tragoudw.. Thryle ole ole, thryle ole ole.!!!!!
07 Jun, 2009, 12:48:53
Reply #89
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Da. Beogradski fantom, dokumentarac..... Interesantno i nesvakidasnje.... Pogledajte....


 Lele dokumentarac    funnysm

To je istinita priča o čoveku, neki kažu buntovniku koji je 79-80 godine koji je svojim poršeom oko ponoći izluđivao policiju svojom vratolomnom vožnjom. Velike mase su se svake večeri okupljale na Slaviji da pozdrave "beogradskog fantoma". Inače čovek se zvao Vlada vasiljević, uhapšen je i robijao je zbog toga, poginuo je u saobraćajnoj nesreći negde kod Požarevca u "ladi", kada je sleteo sa puta.l
I na autobus piše "Lasta" pa ne leti.....
07 Jun, 2009, 13:20:23
Reply #90
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Tačno tako mrko samo što je porše 944 bio ukraden i to Gorana Bregovića ako se ne varam...
Eisai sto myalo, kati magiko.. Opou pas esy tha mai panta egw na sou tragoudw.. Thryle ole ole, thryle ole ole.!!!!!
07 Jun, 2009, 14:06:47
Reply #91
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BG Fantom jeste dokumentarac o istinitom dogadjaju sa igranim delovima i zesce je *cenzura*.....Tu i tamo par dobrih kadrova i montaza ali generalno jako dosadno i ne-dinamicno.
Tacnije to je igrani film sa dokumentarnim delovima.


Elem -

http://www.imdb.com/title/tt0421715/


i




http://www.youtube.com/watch?v=coiVr5Pl4-s

Takashi Miike <3<3<3

07 Jun, 2009, 15:04:39
Reply #92
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Quote from: Igor_TECH a TECH
BG Fantom jeste dokumentarac o istinitom dogadjaju sa igranim delovima i zesce je *cenzura*.....Tu i tamo par dobrih kadrova i montaza ali generalno jako dosadno i ne-dinamicno.
Tacnije to je igrani film sa dokumentarnim delovima.

Upravo tako

Quote from: NinO
samo što je porše 944 bio ukraden i to Gorana Bregovića ako se ne varam...

Porše je bio ukraden od nekog tadašnjeg tenisera ne znam tačno kako se zvao, ali nije od Bregovića
“...U Srbiji samo krvava revolucija moze promeniti neke stvari!..”

Plasim se da u Han ni atomska bomba ne bi nista promenila... Ima mnogo “bubasvaba” i “miseva”, neko od njih bi mozda preziveo.
08 Jun, 2009, 02:24:31
Reply #93
  • Starac Focho
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Takashi Miike Rulz!

Preporuchujem Odishon(Audition), Kako je to bolesno... I Visitor Q rastura(Joj, ona scena nekrofilije, umro sam od smejanja...)...

Ichi, pa neznam, loshi su mu delovi sa spec, efektima.... Vishe mi se dopala manga...

"Don't waste time arguing what good man should do, be one, act like one!"
08 Jun, 2009, 04:58:10
Reply #94
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da i Audition zadaje.

Kul mi je ichi ima finih scena nasilja i tako tih carobnih stvari.


Kad smo kod japanaca -






08 Jun, 2009, 05:14:16
Reply #95
08 Jun, 2009, 05:18:40
Reply #96
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I carobni horor -




The phrase “Two minds are better than one” seems to hold sway when it comes to sibling filmmakers. Which might explain the recent boom in multiple filmmakers from the same family attached to the same film project. America boasts almost a half dozen that comes immediately to mind, with the better-known ones being the Wachowskis (“The Matrix”), the Coens (“The Man Who Wasn’t There”), and the Hughes (“From Hell”). Now Asia has contributed to this rather odd phenomenon with the Pang Brothers (“Bangkok Dangerous”), who brings us “The Eye.”

 

“The Eye” borrows the thrust of its plot – the ability to see dead people – from “The Sixth Sense.” In “The Eye,” the lead is Mun (Angelica Lee), a young woman blinded since 2, who receives a cornea implant and with it, the ability to see again. Unfortunately for Mun, the cornea’s former owner was a girl with psychic powers that allowed her to see dead people and a dark, silhouetted shadow that appears to guide the dead to, well, wherever it is that the dead go.

The Pang brothers (as they’re listed in the credits) wastes very little time attacking our senses with its promise of ghosts. The movie almost immediately shifts into overdrive and the first ghostly apparition appears to Mun at around the 10-minute mark, as soon as the gauze tape is removed from her new eyes. From that moment on, the ghost moments come fast and furious, with one ghost appearing after another. This might have become old real fast, except the Pangs have an uncanny ability to make every single apparition as scary as possible. I have never felt goosebumps crawl up and down my spine so many times. What’s worst (for my manhood, anyway) is that the Pangs did it to me everytime! Even after the ghosts stopped being new and became almost a daily presence, the Pangs still managed to send shivers up my spine.

The film is boasted by the perfect casting of Angelica Lee ("Princess D") as the lead. The young actress portrays Mun with a simple honesty that makes us care for her, mostly because the Pangs are so adept at frightening us that we feel what Mun is feeling. She’s scared? Why not, we are! Lee is a newcomer, and has only done two films to date. Her performance here is nothing short of perfect, and she handles the frightening episodes and the quiet, contemplative scenes with equal skill.

Angelica Lee’s endearing presence aside, the film has a rather uninteresting supporting cast. Lawrence Chow as a Doctor is badly miscast. The actor is not only too young to convincingly hold any medical degrees (flashbacks to the teen doc TV show “Doogie Howser, M.D.” comes to mind), but he proves to be lacking in thespian ability. This makes Chow somewhat of a non-entity, especially when he’s acting opposite the shining Angelica Lee, who overwhelms him with her emotional and convincing performance.

The film moves at a quick pace at first, which leads to the movie’s one big problem – that is, the film moves much too fast for its own good. There is a feeling of too much, too soon, which left me to wonder (while watching the movie) how long it will take for the film and its creators to run out of steam. The answer: the halfway mark, where “The Eye” stops becoming a scary ghost story and instead chose to pay homage (wink wink) to the resolution plot used in M. Night Shyamalan’s “The Sixth Sense.”

Despite a familiar plot (I can recall at least a half-dozen movies and episodes of “The Twilight Zone” and “The Outer Limits” that involved transplanted bodyparts turning bad), “The Eye” is a highly effective scare film when it is content to just scare. Its ghosts are well done and appear when we least expect them, sometimes attacking Mun (and us) and sometimes just lingering with full-tilt creepiness in the background. There is a great scene involving Mun being trapped in an elevator with a ghost that is particularly harrowing. Let’s just say I’ll never feel right standing in an “empty” elevator ever again.

The Pang brothers use a variety of camera tricks, from slow pans to reveal shots, to bring the ghosts to life (in a manner of speaking). Their use of these traditional filming techniques are truly inspiring, especially since the ghost ceases to become “close and personal” when special effects get involved (which they do at various intervals). The computer effects only achieve to take the audience out of the immediate scene because it screams, “This is just a movie!” at the top of its lungs.

“The Eye” boasts a highly enjoyable and scary first half, but quickly goes downhill there after. Once the secret of the cornea’s former owner is revealed, the film ceases to be a ghost story and instead becomes a minor mystery that culminates in a rather out-of-place sequence involving fireballs and more special effects. It might have been better if the Pangs had stuck to traditional slow pans and reveal shots instead.





Ima mislim i usrana americka verzija.....
09 Jun, 2009, 18:46:29
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Panov lavirint Giljerma del Toroa, prvi put sam ga gledao pre godinu ipo dana. Sinoc opet , zaginuo sam do 4 ujutru i dopao mi se isto kao kad sam ga prvi put odgledao
13 Jun, 2009, 01:13:58
Reply #98
13 Jun, 2009, 13:18:58
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xe,ok je,i od istog autora Ful metal dzeket i Beri Lindon, a posebno mesto u mom srcu zauzima film Isijavanje